剧情简介
《尤利娅》讲述的是什么故事？
《尤利娅》A story of faith and disbelief. Of uprootedness and affiliation. What makes a boy from art school decide to leave home and live as a girl on the streets of Berlin selling her body for money? For more than ten years, photographer and filmmaker J. Jackie Baier followed transsexual Julia K. from her birthplace, Klaipeda in Lithuania, to her tough life on the streets as a hooker, outlaw and nonconformist who never signed any social contract. "Julia is missing again. Yesterday I visited her in the porn cinema, in where she has crashed for the last six months. We sat in the common room of the hookers, which doubled as Julia´s bedroom; a smoky, dingy basement without any daylight, roughly the size of a prison cell, with a couch, a counter, a coffee machine and a TV, out of which some cheap television series blared at full volume. This room was what her life was limited to. She only left it when Mamsell called her for a client. I´d seen her for the very first time while she still worked at a bar in Wilmersdorf. For some time we both worked there, tempting clients with booze, offers of sex, whatever would bring in money. I soon left the business, though. The madam was simply not convinced that I was a good hooker and actually she was right - even though I learned a lot by watching Julia. Julia was soon to be out as well. She didn´t really get along in that joint. The madam had some kind of style, while Julia just had her style. It just couldn´t work. Afterwards they said that Julia was always drunk, but that can´t have been the reason, since if she had always been drunk, it probably would have worked out with the boss, who was chronically drunk herself, after all. About a year later I met Julia again. I was riding on a bus to Schöneberg, and she was at the corner of Froben-and Bülow - hustling at the strip. We drank a couple of beers at Bianca´s kiosk and she asked at some point if I wouldn´t mind taking some pictures of her again. I didn´t have my proper camera on me, just my mobile. I took some shots and once I left, promised to return. When I went back two nights later, this time with my camera, Julia had vanished. At the kiosk they said that she was dead, probably frozen to death somewhere. But then she reappeared." [J. Jackie Baier, 2006] J. Jackie Baier (b. 1955 in Kiel, Germany) received an MA in Literature at the University of Essen in 1982. She worked as assistant director on films by, among others, Peter von Zahn, Michael Lentz, and Adolf Winkelmann, and made several documentaries. In 1983 she made her feature directorial debut with Die Mission - Film vom Frieden und seinem Krieg (which premiered at the Berlinale (Forum). From 1985 to 1988 she wrote and directed two television movies for ZDF, Die Splitter der Eisbombe and Frühstück für Feinde. She has directed TV series since 1995. She had a sex change in 1997; Johanna Jackie Baier was officially a woman. She started to experiment extensively with photography and has exhibited her work at national and international art fairs. In 2006, she presented a selection of photographs and a short film as part of the group show SEX WORK (Neue Gesellschaft für bildende Kunst, Berlin). In 2011 Baier´s feature-length documentary House of Shame premiered at the 61st Berlin International Film Festival. 2013 Julia (doc) 2011 House of Shame: Chantal All Night Long (doc) 1988 Frühstück Für Feinde 1984/85 Die Splitter Der Eisbombe 1983 Die Mission - Film vom Frieden und seinem Krieg
一、《尤利娅》是哪一年上映的？
《尤利娅》是J. Jackie Baier于2013年拍摄的一部经典剧情片。此片开创德国当代剧情片的先河，《尤利娅》上映时票房稳坐前三，创下当年纪录。当时Julia Krivickas均为最佳主角，Julia Krivickas以精彩演技和突出形象，奠定在德国影坛地位。Julia Krivickas饰演角色造型多年后仍为人所模仿。J. Jackie Baier之前曾被人怀疑其能力，而《尤利娅》却奠定J. Jackie Baier剧情片风格。《尤利娅》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指2013年代）德国（德国）优秀剧情片齐名。
二、被称为剧情片的开先河之作的《尤利娅》，是J. Jackie Baier最好的作品吗?
从J. Jackie Baier斩获剧情片最佳导演 我就觉得这部《尤利娅》是他最好的剧情片。虽然J. Jackie Baier后来还拍出来了评价特别好的剧情片，但是《尤利娅》是他剧情片的代表作品。
三、《尤利娅》为什么可以成为经典？
提起德国，人们就肯定会说出《尤利娅》的名字。这部由J. Jackie Baier导演，Julia Krivickas主演的《尤利娅》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连J. Jackie Baier导演和Julia Krivickas，都没想到这部剧情片会得到这样好的反响。J. Jackie Baier先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《尤利娅》开拍之前，Julia Krivickas已经有几年年无戏可拍，而Julia Krivickas主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《尤利娅》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
四、如何评价《尤利娅》?
《尤利娅》口碑非常好深受广大观众喜爱，《尤利娅》一经播放立刻引来无数人点赞，不仅Julia Krivickas演的好而且该剧情片故事情节也非常紧凑，西瓜影院（www.jyyjjz.com）观看起来特别流畅同时还能扣人心弦，虽然目前《尤利娅》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演Julia Krivickas，她在该剧情片中的演技可圈可点，受到Julia Krivickas演的好而且该剧情片迷的认可。
五、《尤利娅》剧情片的主要内容
《尤利娅》是一部剧情片剧情片，由导演：J. Jackie Baier执导，主演：Julia Krivickas
《尤利娅》A story of faith and disbelief. Of uprootedness and affiliation. What makes a boy from art school decide to leave home and live as a girl on the streets of Berlin selling her body for money? For more than ten years, photographer and filmmaker J. Jackie Baier followed transsexual Julia K. from her birthplace, Klaipeda in Lithuania, to her tough life on the streets as a hooker, outlaw and nonconformist who never signed any social contract. "Julia is missing again. Yesterday I visited her in the porn cinema, in where she has crashed for the last six months. We sat in the common room of the hookers, which doubled as Julia´s bedroom; a smoky, dingy basement without any daylight, roughly the size of a prison cell, with a couch, a counter, a coffee machine and a TV, out of which some cheap television series blared at full volume. This room was what her life was limited to. She only left it when Mamsell called her for a client. I´d seen her for the very first time while she still worked at a bar in Wilmersdorf. For some time we both worked there, tempting clients with booze, offers of sex, whatever would bring in money. I soon left the business, though. The madam was simply not convinced that I was a good hooker and actually she was right - even though I learned a lot by watching Julia. Julia was soon to be out as well. She didn´t really get along in that joint. The madam had some kind of style, while Julia just had her style. It just couldn´t work. Afterwards they said that Julia was always drunk, but that can´t have been the reason, since if she had always been drunk, it probably would have worked out with the boss, who was chronically drunk herself, after all. About a year later I met Julia again. I was riding on a bus to Schöneberg, and she was at the corner of Froben-and Bülow - hustling at the strip. We drank a couple of beers at Bianca´s kiosk and she asked at some point if I wouldn´t mind taking some pictures of her again. I didn´t have my proper camera on me, just my mobile. I took some shots and once I left, promised to return. When I went back two nights later, this time with my camera, Julia had vanished. At the kiosk they said that she was dead, probably frozen to death somewhere. But then she reappeared." [J. Jackie Baier, 2006] J. Jackie Baier (b. 1955 in Kiel, Germany) received an MA in Literature at the University of Essen in 1982. She worked as assistant director on films by, among others, Peter von Zahn, Michael Lentz, and Adolf Winkelmann, and made several documentaries. In 1983 she made her feature directorial debut with Die Mission - Film vom Frieden und seinem Krieg (which premiered at the Berlinale (Forum). From 1985 to 1988 she wrote and directed two television movies for ZDF, Die Splitter der Eisbombe and Frühstück für Feinde. She has directed TV series since 1995. She had a sex change in 1997; Johanna Jackie Baier was officially a woman. She started to experiment extensively with photography and has exhibited her work at national and international art fairs. In 2006, she presented a selection of photographs and a short film as part of the group show SEX WORK (Neue Gesellschaft für bildende Kunst, Berlin). In 2011 Baier´s feature-length documentary House of Shame premiered at the 61st Berlin International Film Festival. 2013 Julia (doc) 2011 House of Shame: Chantal All Night Long (doc) 1988 Frühstück Für Feinde 1984/85 Die Splitter Der Eisbombe 1983 Die Mission - Film vom Frieden und seinem Krieg